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Meno Display Extra Condensed Light
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Meno Display Extra Condensed Light Italic
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Meno Display Extra Condensed Regular
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Meno Display Extra Condensed Regular Italic
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Meno Display Extra Condensed Semi Bold
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Meno Display Extra Condensed Semi Bold Italic
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Meno Display Extra Condensed Bold
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Meno Display Extra Condensed Bold Italic
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Meno Display Extra Condensed Extra Bold
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Meno Display Extra Condensed Extra Bold Italic
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Meno Display Extra Condensed Black
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Meno Display Extra Condensed Black Italic
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Meno Display Condensed Light
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Meno Display Condensed Light Italic
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Meno Display Condensed Regular
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Meno Display Condensed Regular Italic
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Meno Display Condensed Semi Bold
AaBbCcDdEeFfGgHhIiJjKkLlMmNnOoPpQqRrSsTtUuVvWwXxYyZz
Meno Display Condensed Semi Bold Italic
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Meno Display Condensed Bold
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Meno Display Condensed Bold Italic
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Meno Display Condensed Extra Bold
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Meno Display Condensed Extra Bold Italic
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Meno Display Condensed Black
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Meno Display Condensed Black Italic
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Meno Display Light
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Meno Display Light Italic
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Meno Display Regular
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Meno Display Regular Italic
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Meno Display Semi Bold
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Meno Display Semi Bold Italic
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Meno Display Bold
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Meno Display Bold Italic
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Meno Display Extra Bold
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Meno Display Extra Bold Italic
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Meno Display Black
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Meno Display Black Italic
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Meno Display

Richard Lipton designed Meno in 1994 as a modest yet elegant workhorse serif family in seven styles. In 2016, he expanded this spirited old style into a 78-style superfamily. The romans gain their energy from French baroque forms cut late in the 16th century by Robert Granjon, the italics from Dirk Voskens’ work in 17th-century Amsterdam. Meno consists of three carefully drawn optical sizes — Text, Display, and Banner, with Condensed and Extra Condensed widths added to the latter two cuts. Steadfast in text settings, Meno is replete with alternate forms, swashes, and other enhancements that showcase Lipton’s masterful calligraphic hand. The series offers a complete solution for achieving high-end editorial typography.

Language Support

  • Catalan
  • Croatian
  • Czech
  • Danish
  • Dutch
  • English
  • Filipino
  • Finnish
  • French
  • Fula
  • German
  • Hungarian
  • Indonesian
  • Italian
  • Latvian
  • Malay
  • Maltese
  • Norwegian
  • Polish
  • Portuguese
  • Romanian
  • Slovak
  • Slovenian
  • Spanish
  • Swedish
  • Turkish

OpenType Features

  • Common Ligatures
  • Discretionary Ligatures
  • Fractions
  • Lining Numerals
  • Old Style Numerals
  • Slashed Zero
  • Small Capitals
  • Small Capitals for Capitals
  • Stylistic Sets
  • Superscript

Richard Lipton has been designing letterforms for more than 40 years.

His background as a professional calligrapher has always guided his work as a type designer. Despite the somewhat strict parameters within the discipline of type design, he feels there are no creative limits to the craft of letter-making. He continues to explore the endless nuance of giving expression to our alphabet. His foundry Lipton Letter Design develops original typefaces as well as custom font designs for international clients.

Not seeing a license that fits your needs? Curious about custom options? Send an email to [email protected]

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